Life according to Larry Kirwan 
        Larry Kirwan: an '80s survivor 
        
      Larry 
      Kirwan 
      Readings from 
      Rockin’ the Bronx. 6 p.m., March 11. Labyrinth Books, 290 York St. 
      203-787-2848, labyrinthbooks.com. Black 47 with Mighty Ploughboys, Country 
      Caban and Myopia. 8:30 p.m. March 11. Toad’s Place, 300 York St. 
      $12.50-$15 203-624-TOAD, toadsplace.org.
  
      You’d 
      think that for one of the country’s premiere Irish rock bands, March would 
      be busy enough. For Larry Kirwan, at this time of year “you’re the 
      beautiful girl of the year. Everybody wants you in March. I don’t knock 
      it. It’s good to be wanted.” 
      But desirability knows no season 
      when you’re not only fronting one of the toughest Irish bands in existence 
      (new album: Bankers and 
      Gangsters) but releasing a new novel 
      (Rockin’ the Bronx), getting a New York workshop of the musical you co-wrote 
      with novelist Thomas Keneally, writing regularly for the Irish Echo newspaper (which 
      excerpts Rockin’ the Bronx in its March 3 issue) and hosting the Sirius radio show 
      “Celtic Crush.” 
      Connecticut has been a major 
      beneficiary of Kirwan’s multi-media hyperactivity. Last week in Hartford, 
      Black 47 played the Half Door and Kirwan gave a reading at the Mark Twain 
      House. On March 11, the band gigs at Toad’s Place while the reading is 
      just down the block at Labyrinth Books. 
      Black 47 shows are exhausting 
      reveries where the band’s fans and countrymen pound their fists in the air 
      to strident songs about injustice, Irish history and culture and the funky 
      Ceili. If you haven’t aged as gracefully as Kirwan has and can’t handle 
      the raucous club scene anymore, Kirwan’s Labyrinth reading provides a 
      gentler, though no less thought-provoking or “rockin’,” 
      alternative. 
      Kirwan’s literary side tends to blur 
      with his songwriting proclivities. His first novel, Liverpool Fantasy, imagined 
      if the Beatles had broken up in 1963, never getting their chance to change 
      the world. The scenario was inspired in part by Kirwan’s own dire and 
      dreary dealings with the record industry. His next book was more detailed 
      about those struggles in the Irish neighborhoods and New Wave hotspots of 
      1980s New York City. That full-blown, 400-page autobiography, 
      Green Suede Shoes: An Irish-American 
      Odyssey, was augmented with a Black 47 
      concept album, Elvis Murphy’s Green Suede 
      Shoes. 
      Rockin’ the Bronx, likewise, 
      springs from a Black 47 tune, “Sleep Tight in New York City/Her Dear Old 
      Donegal,” from the band’s 1993 album Fire 
      of Freedom. The song was later expanded 
      into a one-man show (with Kirwan doing solo acoustic versions of Black 47 
      songs), and now a multi-cultural coming-of-age recent-historical novel. He 
      still remembers the image that inspired the original song:  
      “I was in Donegal, looking out at a 
      beautiful landscape, and I realized I knew so many [Irish] people in the 
      Bronx, and how hard it must have been for them to leave Ireland to come 
      there.”  
      Kirwan makes the urge to travel easy 
      for the novel’s kindhearted, toughened protagonist Sean Kelly: The 
      romantic young idealist is chasing a girl. 
      “I contend the ’60 died in the 
      spring of 1982,” Kirwan says. “That’s when AIDS was first identified as a 
      major disease, and when Ronald Reagan began to become this cherished icon. 
      In Rockin’ the Bronx, I wanted to deal with that particular period between 1980 
      and 1982 — in the country as a whole, and in the life of New York 
      City. 
      That era also provided a political 
      awareness wake-up call for the Irish, Kirwan says, who was born in County 
      Wexford, on the Southeast end of the country. “If you look at it from a 
      Southern/Northern Ireland point of view, many in the South were completely 
      unaware of what was going on.”  
      Kirwan’s delighted fellow immigrants 
      seem to have taken to Rockin’ the 
      Bronx. 
      “It brings back those times, the 
      area, to them. Now it’s totally gone, but then it was a vibrant area with 
      dozens of pubs. This was a tough, real, working-class culture. And in New 
      York especially, there was a lawlessness. It was an exciting time. When we 
      brought Black 47 there, it was like ‘If we can survive this, we can 
      survive anything.’” 
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