IF YOU GO
What: Nightfall concert series, featuring Black 47.
When: 8 p.m. today; ID and the Superegos open at 7.
Where: Miller Plaza, corner of M.L. King Boulevard, Market
and Cherry streets.
Admission: Free.
Phone: 265-0771.
Venue website: www.nightfallchattanooga.com.
DISCOGRAPHY
1989 “Home of the Brave/Live in London”
1991 “Black 47”
1993 “Fire of Freedom”
1994 “Home of the Brave”
1996 “Green Suede Shoes”
1999 “Live in New York City”
2000 “Trouble in the Land”
2004 “New York Town”
2005 “Elvis Murphys’ Green Suede Shoes”
2006 “Bittersweet Sixteen”
2008 “Iraq”
2010 “Bankers and Gangsters”
A knife’s edge is a dangerous place to tread, but the members of the New
York-based Irish rock band Black 47 have been navigating one for 20 years.
Since he founded the group in 1990, singer/songwriter Larry Kirwan has used
humor and eclectic instrumentation to achieve a blackly irreverent tone that
tempers the message of songs about serious social and political issues.
The trick is in the blood, said Kirwan, a native of Wexford, Ireland.
“In the Irish experience ... there aren’t too many victories in its long
history,” he said, laughing. “It’s one defeat after another. The only way to
deal with that was with a black humor.
“To us, with humor, you can get a message more palatable, and it might stick
better.” Tonight, Black 47 will see what sticks at Miller Plaza as this week’s
Nightfall headliner.
The band’s name comes from 1847, one of the bleakest years of the Irish
potato famine. Despite that somber origin, however, Black 47 is well known for
songs such as “Maria’s Wedding” and “Green Suede Shoes,” which are as jubilant
as its 2008 album “Iraq” is critical and contemplative.
Black 47 shows range just as widely. Despite the band’s odd juxtapositions in
the set list, however, the audience has never seemed bothered, Kirwan said.
“The sheer amount of ingredients in the mix, no one seems to question it,” he
said. “It doesn’t seem jarring. I don’t know why that is.”
For the last 20 years, Black 47 has upheld an organic philosophy regarding
its evolution, Kirwan said. With a lineup of five musicians with improv
backgrounds playing everything from saxophones to uilleann pipes, the band has
been free to incorporate elements from everything from reggae to jazz in its
music.
“Nothing seemed that off-limits to us,” Kirwan said. “The odd thing is that
it all seemed to fit.
“That’s the thing that’s surprised me, that it seems to have its inner core,
that you can try anything and it will work to some degree.”